Margaret Ashman
Margaret Ashman is a printmaker whose etchings focus on sign language and dance. Her interests include exploring gesture and sign as the root of language; transformation and transcendence. 
​ww.margaretashman.com
Ogamu, 2018
Photo Etching,
60cm x 48cm
Naku (Blue) 2018
Photo etching
70cm x 56cm
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 Picture
Life's a Dance, 2019
​Photo etching and monoprint
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Vanessa Benson

www.vanessabenson.com

Karen Bosy

kmbosy.com

Kate Burvill

I am experimenting with pigments from Venice and India with handmade watercolour paper from India
Monochrome series 1
Watercolour on paper
​55cm x 75cm 
Monochrome Series 3
Watercolour on paper
​ 55cm x 75cm
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Pigment

Mike Davies

M42 - The Great Nebula - Orion.
Long exposure digital photograph -150 mm Newtonian telescope. 30 Oct 2016
Hand made telescopes - Park Studios
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Total eclipse of the Sun, Hao Atoll, Polynesia.  18 Aug 2010
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Anne-Helen English

At the core of my work is my fascination with all aspects of nature.
How we interact with and are affected by the natural world , subliminally and overtly, is part of what I continue to explore.
www.annehelenenglish.com
Hope and Hindrance  V
​2017
 Above Water  VII    
​2017
 
Hope and Hindrance  II  
​2016

Oona Grimes


www.oonagrimes.com
www.daniellearnaud.com

Patsy Hans

Patsy Hans uses a wide variety of materials and found objects in her artwork.
Through processes of change and destruction, she explores the combining of familiar and unfamiliar elements to create new imagery.
 www.patsyhans.com
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Nest Navigation.
Found Vulva Sculpture

Be van der Heide

 My paintings have been rather dark lately, but always there is some light coming through: It could be coming through a half open door or a hole.
www.bevanderheide.com
Untitled, 2019
Charcoal and acrylic on canvas
96cm x 80cm
Old Salvia, 2019
Mixed media on canvas, 
​190x160cm
Untitled
oil on acrylic on canvas, 2016
​136cm x 170cm

Tamara Katz

" My work is a direct or allegorical response to the world as I see it, expressed through colour , mark and gesture."
www.tamarakatzblogspot.com
Green and Brown 1
Mixed media on canvas
10" x10"
Green and Brown 2
Mixed media on canvas
10" x10"
Cellist Solo
Watercolour on paper
​11" x6.5"

Tony Hull

Archive photographs of cultural festivals and rallies are re-enacted in the studio, documented and made into composite images. Emptied of historical context and geographical signposts, painting itself becomes the site for these now diffident, slightly self-conscious ceremonies.
www.tonyhull.com
Group Manoeuvres, 2018
  Oil on oil paint tablet  
Temporary Future, 2018
   Oil on oil paint tablet
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Hidden Strategies
  Oil on oil paint tablet

Thomas Lumley

www.thomaslumley.com
Oak, Richmond Park
Charcoal on watercolour paper
​97cm x 137cm
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Oak, Isabella Plantation 2018
Charcoal on watercolour paper
​89cm x 110cm
untitled
​charcoal on paper
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Pat Kaufman

I am interested in how seating in a landscape confers a sense of ownership and often changes perceptions of how the landscape is used or came about.
Chairs I -  charcoal drawing on Rives BFK  - 32 x 45 cm
Photographer:  Peter White
Grove Throne, 2014 - Limestone - 120 x 210 x 95 cm
Commission for Villa Myrtolangadi, Kythera, Greece
Photographer:  Valentina Vanni
The Twins, 2014 - Syrian Marble - 120 x 53 x 53 cm
Commission for Villa Vlycho, Kythera, Greece
Photographer: John Stathatos

Maureen Nathan 

I work figuratively in a variety of ways that include painting and printmaking.  Drawing is a fundamental part of image making and a daily activity for me. 
www.maureennathan.com

Sista Pratesi

www.sistapratesi.com
10,000 Years (III)
​2019
Madeleine Strobel
Madeleine Strobel has exhibited regularly at the Artmill Gallery in Plymouth and the Limekiln Gallery in Calstock in Cornwall. Member of the 21 Group of artists, her work has been included in many group exhibitions in Totnes, Dartington, Plymouth and beyond. She had solo exhibitions in the UK, Switzerland, Germany, Belgium and Venezuela and was invited to international symposiums in the United States and the Azores. Her work is included in public collections: City of Edinburgh Council (Jean F. Watson Bequest); Museo de Arte Contemporaneo de Caracas; John Radcliffe Hospital (Green College), Oxford; International Maritime Organisation, London and ArtUK (UCL collection).

www.madeleinestrobel.com
Snow Covered Mountain, Glen Coe
Pencil on paper
255mm x 210mm
57° 33'N 04° 06'W
Oil on canvas
​900mm x 1100mm
Sea State: Rough II
Oil on Canvas
910mm x1100mm

Faith Vincent

 The current series is titled Holweg, which is Anglo Saxon for ‘hollow way’ – a path carved out by footfall. The drawings are made of marble dust: imperceptibly slight layers, gathering and swelling, gradually becoming and finding their own footing.
Perfectly (Mal)formed, 2018
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Slow Drawing (Boundless) 2018

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Untitled (How to be Lucky) 2018

P.F. White

England 1967 to 2017. Domestic and temporal exploration through automated drawing.
www.allpicture.co.uk/pfwhite
P.F.White. Threshold, 1975, (detail). 2017. Photograph.
P.F.White. The Wall: Asteroid "Heading for Earth". Regent Street, London, April 12th 1998, (detail). 2016. Photograph.
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 P.F.White. Westminster @ Infinity, 1976, (detail). 2017. Photograph.
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Julia Warr

Julia Warr was selected for the John Moores Painting Prize 2016. She is currently painting moving figures in imagined landscapes.
www.juliawarr.org
‘Uppity’ (detail) acrylic on canvas, 2017.
“Douglas” (detail) Acrylic on canvas 2017

Paul Wood

Paul Wood's work is a conversation between various, potentially conflicting, aspects of creative production including control and surprise, language and form, analogue and digital. He plays in the area between the real, the manipulated and the reproduced.
www.paulwoodart.com
Precariat, Collage on paper, 30x42cm, 2015
Swiped, Oil on paper on board, 56x76cm, 2016
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The Shareholder Experience, Oil on board, 60x60cm, 2016