Margaret Ashman
Margaret Ashman is a printmaker whose etchings focus on sign language and dance. Her interests include exploring gesture and sign as the root of language; transformation and transcendence.
ww.margaretashman.com |
Karen Bosy
Anne-Helen English
At the core of my work is my fascination with all aspects of nature.
How we interact with and are affected by the natural world , subliminally and overtly, is part of what I continue to explore.
www.annehelenenglish.com
How we interact with and are affected by the natural world , subliminally and overtly, is part of what I continue to explore.
www.annehelenenglish.com
Oona Grimes
Patsy Hans
Patsy Hans uses a wide variety of materials and found objects in her artwork.
Through processes of change and destruction, she explores the combining of familiar and unfamiliar elements to create new imagery.
www.patsyhans.com
Through processes of change and destruction, she explores the combining of familiar and unfamiliar elements to create new imagery.
www.patsyhans.com
Be van der Heide
My paintings have been rather dark lately, but always there is some light coming through: It could be coming through a half open door or a hole.
www.bevanderheide.com
www.bevanderheide.com
Tamara Katz
" My work is a direct or allegorical response to the world as I see it, expressed through colour , mark and gesture."
www.tamarakatzblogspot.com
www.tamarakatzblogspot.com
Tony Hull
Archive photographs of cultural festivals and rallies are re-enacted in the studio, documented and made into composite images. Emptied of historical context and geographical signposts, painting itself becomes the site for these now diffident, slightly self-conscious ceremonies.
www.tonyhull.com
www.tonyhull.com
Thomas Lumley
Pat Kaufman
I am interested in how seating in a landscape confers a sense of ownership and often changes perceptions of how the landscape is used or came about.
Chairs I - charcoal drawing on Rives BFK - 32 x 45 cm
Photographer: Peter White |
Grove Throne, 2014 - Limestone - 120 x 210 x 95 cm
Commission for Villa Myrtolangadi, Kythera, Greece Photographer: Valentina Vanni |
The Twins, 2014 - Syrian Marble - 120 x 53 x 53 cm
Commission for Villa Vlycho, Kythera, Greece Photographer: John Stathatos |
Maureen Nathan
I work figuratively in a variety of ways that include painting and printmaking. Drawing is a fundamental part of image making and a daily activity for me.
www.maureennathan.com
www.maureennathan.com
Madeleine Strobel
Madeleine Strobel has exhibited regularly at the Artmill Gallery in Plymouth and the Limekiln Gallery in Calstock in Cornwall. Member of the 21 Group of artists, her work has been included in many group exhibitions in Totnes, Dartington, Plymouth and beyond. She had solo exhibitions in the UK, Switzerland, Germany, Belgium and Venezuela and was invited to international symposiums in the United States and the Azores. Her work is included in public collections: City of Edinburgh Council (Jean F. Watson Bequest); Museo de Arte Contemporaneo de Caracas; John Radcliffe Hospital (Green College), Oxford; International Maritime Organisation, London and ArtUK (UCL collection).
www.madeleinestrobel.com
www.madeleinestrobel.com
Faith Vincent
The current series is titled Holweg, which is Anglo Saxon for ‘hollow way’ – a path carved out by footfall. The drawings are made of marble dust: imperceptibly slight layers, gathering and swelling, gradually becoming and finding their own footing.
P.F. White
England 1967 to 2017. Domestic and temporal exploration through automated drawing.
www.allpicture.co.uk/pfwhite
www.allpicture.co.uk/pfwhite
Julia Warr
Julia Warr was selected for the John Moores Painting Prize 2016. She is currently painting moving figures in imagined landscapes.
www.juliawarr.org
www.juliawarr.org
‘Uppity’ (detail) acrylic on canvas, 2017.
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“Douglas” (detail) Acrylic on canvas 2017
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Paul Wood
Paul Wood's work is a conversation between various, potentially conflicting, aspects of creative production including control and surprise, language and form, analogue and digital. He plays in the area between the real, the manipulated and the reproduced.
www.paulwoodart.com
www.paulwoodart.com