Karen Bosy
Deborah Burnstone
Paul Caro
Mike Davies
M42 - The Great Nebula - Orion.
Long exposure digital photograph -150 mm Newtonian telescope. 30 Oct 2016 |
Hand made telescopes - Park Studios
|
Total eclipse of the Sun, Hao Atoll, Polynesia. 18 Aug 2010
|
Anne-Helen English
I divide my time between a small island in the Baltic and London. All aspects of nature and our relatedness to nature interests me.
Studied :
Art History at Uppsala University , Sweden,
Fine Art and Philosophy, BA Hons, Reading University, UK
Fine Art , MA, Slade School of Art, UCL, London
www.annehelenenglish.com
www.joannabryantprojects.com
Studied :
Art History at Uppsala University , Sweden,
Fine Art and Philosophy, BA Hons, Reading University, UK
Fine Art , MA, Slade School of Art, UCL, London
www.annehelenenglish.com
www.joannabryantprojects.com
Landscape Study, sold at ‘Art on a Postcard’ auction.
Oil and mixed media on paper, 2018 |
Landscape Study, sold at ‘Art on a Postcard’ auction.
Oil and mixed media on paper, 2018. |
Landscape Study, sold at ‘Art on a Postcard’ auction.
Oil and mixed media on paper, 2018 |
Oona Grimes
Patsy Hans
Patsy Hans uses a wide variety of materials and found objects in her artwork.
Through processes of change and destruction, she explores the combining of familiar and unfamiliar elements to create new imagery.
www.patsyhans.com
Through processes of change and destruction, she explores the combining of familiar and unfamiliar elements to create new imagery.
www.patsyhans.com
Nest Navigation.
|
Found Vulva Sculpture
|
Be van der Heide
My paintings have been rather dark lately, but always there is some light coming through: It could be coming through a half open door or a hole.
www.bevanderheide.com
www.bevanderheide.com
Untitled, 2019
Charcoal and acrylic on canvas 96cm x 80cm |
Old Salvia, 2019
Mixed media on canvas, 190x160cm |
Untitled
oil on acrylic on canvas, 2016 136cm x 170cm |
Tamara Katz
" My work is a direct or allegorical response to the world as I see it, expressed through colour , mark and gesture."
www.tamarakatzblogspot.com
www.tamarakatzblogspot.com
Black and White over Green
25cm x25cm, oil on canvas 2022 |
Black and Orange over Green and Blue
25cm x25cm, oil on canvas 2022 |
White scored over Orange
25cm x25cm, oil on canvas 2022 |
Tony Hull
Archive photographs of cultural festivals and rallies are re-enacted in the studio, documented and made into composite images. Emptied of historical context and geographical signposts, painting itself becomes the site for these now diffident, slightly self-conscious ceremonies.
www.tonyhull.com
www.tonyhull.com
Captive Audience, 25cm x35cm
Charcoal, Indian ink, emulsion and acrylic paint on Fabriano. 2022. |
Consequences, 25cm x18cm
Charcoal, Indian ink, emulsion and acrylic paint on Fabriano. 2022. |
Wilderness, 35.5cm x25cm
Charcoal, Indian ink, emulsion and acrylic paint on Fabriano. 2022. |
Pat Kaufman
I am interested in how seating in a landscape confers a sense of ownership and often changes perceptions of how the landscape is used or came about.
Chairs I - charcoal drawing on Rives BFK - 32 x 45 cm
Photographer: Peter White |
Grove Throne, 2014 - Limestone - 120 x 210 x 95 cm
Commission for Villa Myrtolangadi, Kythera, Greece Photographer: Valentina Vanni |
The Twins, 2014 - Syrian Marble - 120 x 53 x 53 cm
Commission for Villa Vlycho, Kythera, Greece Photographer: John Stathatos |
William Mackrell
William Mackrell leaves behind traces and fragile assemblages of language that delve into bodily sensations of touch, absence and desire. Recent exhibitions include LISTE Basel LUNGLEY Gallery (2022), A painter in the house of letters Musée Nationale Eugène Delacroix Paris (2021), Do not go gentle into that good night RYDER Madrid (2020), Rage rage against the dying of the light LUNGLEY Gallery London (2020), Bodyscapes Israel Museum Jerusalem (2020), Here is where we meet Galerie Krinzinger, Vienna (2019) and Drawing: The Beginning of Everything Albright Knox Art Gallery Buffalo (2017).
www.williammackrell.com
www.williammackrell.com
A painter in the house of letters 2021. Instalation view Musee Delacroix, Paris.
|
Bloom 2022 etching on ctype print 297mm x210mm
|
Silver Melotonin Fire Flies Burns 2022 Pigment on archival paper installation, view LISTE Basel Lungley Gallery, London.
|
Madeleine Strobel
Madeleine Strobel has exhibited regularly at the Artmill Gallery in Plymouth and the Limekiln Gallery in Calstock in Cornwall. Member of the 21 Group of artists, her work has been included in many group exhibitions in Totnes, Dartington, Plymouth and beyond. She had solo exhibitions in the UK, Switzerland, Germany, Belgium and Venezuela and was invited to international symposiums in the United States and the Azores. Her work is included in public collections: City of Edinburgh Council (Jean F. Watson Bequest); Museo de Arte Contemporaneo de Caracas; John Radcliffe Hospital (Green College), Oxford; International Maritime Organisation, London and ArtUK (UCL collection).
www.madeleinestrobel.com
www.madeleinestrobel.com
Snow Covered Mountain, Glen Coe
Pencil on paper 255mm x 210mm |
57° 33'N 04° 06'W
Oil on canvas 900mm x 1100mm |
Sea State: Rough II
Oil on Canvas 910mm x1100mm |
Faith Vincent
Perfectly (Mal)formed
|
Slow Drawing (Boundless)
|
Untitled (How to be Lucky)
|